- EWQL SYMPHONIC ORCHESTRA FREE AIRCRACK UPGRADE
- EWQL SYMPHONIC ORCHESTRA FREE AIRCRACK SOFTWARE
- EWQL SYMPHONIC ORCHESTRA FREE AIRCRACK PLUS
EWQL SYMPHONIC ORCHESTRA FREE AIRCRACK UPGRADE
I thinked one time i upgrade it if goes working better (some people which buyed something form them gives little hope.) last time before removing stuff goed level loads sound sound and hangs whole daw! (Logic Pro 9.1.8).
EWQL SYMPHONIC ORCHESTRA FREE AIRCRACK SOFTWARE
I liked sounds for some uses (mostly brass and percussion sounds,first one has something what i cannot define good way but percussion is more bright) but plsyer is very unstable,same goes for kontakt but even it still much more stable luckily vsl player software is crashed to me only 2 times if scale using times i bet PLAY number is 20 times at least. I would really like to understand why I can't reach the quality of the best demos of dimension strings. But then, the authenticity of the MIR space is lost. My best take uptil now is to lower the wet/dry control in MIR to -70, and to replace the tail by an algorithmic reverb chosen for its warmth. Solo strings are really ok to my ears, Orchestral strings a little less, and as to dimension strings, while I adore the sound (out of the box) of bass, cellos and altos, violins do cause me trouble certainly in conjunction with MIR which makes the trouble even worse : harshness and coldness. That being said, again, I'm still struggling to find a way to make VSL sound sweet warm and cosy. Yet I still use some EWQL samples to complement the VSL ones (for example, the FF staccato bass, adorable in EWQLSO), but after years of happiness using the VI interface, it feels like pain to return to Play. I can't go back to EWQL because, short of the magnificent sound, the samples look like kid toys against the VSL ones, not enough detail, not enough control, and, agreed with others, no stability, no service, etc. I must confess that I'm still working hard to find with VSL the sound that I'm after. I've been switching to VSL mainly because it offers a much larger amount of detail and realism.
I've been using EWQL for a long time, and I have never been tweeking the sound, which was excellent to begin with, out of the box. Glad I took the time to go over to EW website as they now say that Steinburg has fixed the problems with Play. I'm not sure their orchestral sounds are equal to VSL. then there is the crappy customer service which negates that. A comprable amount spent at EW would give you maybe what looks like more but.
EWQL SYMPHONIC ORCHESTRA FREE AIRCRACK PLUS
The cost of a beginning package from VSL- Special Edition Vol I and SE Vol 1 plus is $830. I have seen vitrolic complaints on this web site about VSL support (not from me, mind you) and many a person who said ugly things is still hanging about. VSL support is vastly superior (not that there are not issues) and I always receive courteous and prompt replies. I loved the oohs and ahhs and other simple sounds because I found them very exhilerating. I was upset because there was so much promise to the software with being able to shape actual words into the mix. I have had a similar experience with the East West Choral product - Symphonic Choirs- and had to stop using it because they would not keep up with Steinberg-for Cubase 4.0- on bug fixes and updates.